By Sheila Whiteley
The area among the Notes examines a chain of relationships principal to sixties counter-culture: psychedelic coding and rock song, the Rolling Stones and Charles Manson, the Beatles and the `Summers of love', Jimi Hendrix and hallucinogenics, crimson Floyd and house rock. Sheila Whiteley combines musicology and socio-cultural research to light up this terrain, illustrating her argument with key recordings of the time: Cream's She Walks Like a Bearded Rainbow, Hendrix's Hey Joe, crimson Floyd's Set the Controls For the warmth of the Sun, The Move's I Can listen the Grass Grow, between others.
The appropriation of revolutionary rock by means of younger city dance bands within the Nineties make this examine of sixties and seventies counter-culture a well timed intervention. it is going to tell scholars of well known song and tradition, and touch off popularity and curiosity from those who lived during the interval in addition to a brand new iteration that draw suggestion from its iconography and sensibilities this present day.
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